america war syria cultural heritage

Aleppo, Syria - View of the Town Hall
Aleppo, Syria - View of the Town Hall

Syrian Drama of Another Order.

The blockade on Syria -on Syrian life not weaponry- reaches into the heart of social, historical and cultural life.

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This policy is integral to the US-led assault against the country and against Arab national integrity.

No-fly zone, poison gas, foreign guerrillas, sectarian massacres.  These frightening yet alluring, ambitious yet wearying thoughts define Syria today. More reason to take time for other dramas—Syrian TV serials and their politics.

Apart from an opportune ‘Ramadan’ reference, this topic may seem inconsequential or out of place for a nation engulfed in conflict. Yet the subject isn’t too slight a target for US policies.

Extending its aggression against Syria into every corner of the economy, the United States has seen TV productions by its longstanding enemy dumped from international satellites, a move that essentially severs global access. This move followed withdrawal of supporting infrastructure for widely popular Syrian programs by US-Gulf state allies, erstwhile co-sponsors, customers and distributors of TV dramas originating in Damascus.

Now, why would anyone censor Syrian TV? Are we not led to believe that Syrian media’s sole purpose is to mislead rather than inform? How could anything of value originate from that ‘brutal dictatorship’? Anyway, how can ‘mindless’ TV soaps warrant an international embargo?

People familiar with the range of public issues which Syrian producers address through popular drama will understand.

Over the past decade the Damascus-based industry rose to become a major center of high quality TV drama. Its productions won admiration across the Arab-speaking world, rivaling once dominant Egyptian dramas.

What Syrian dramas, most of which are made by private companies, offer is best illustrated by two productions:– ‘Bab al-Hara’ (www.istikana.com/en/episodes/bab-el-hara-1-1),first released during Ramadan month in 2006, and a hugely successful 2010 production, ‘Ma Malakat Aymanukum’ ().

‘Bab al-Hara’ is a colonial period drama typical of the historical productions Syria excels in. This and dramatizations of early epochs hold special significance throughout the Arab world through portrayals and reflections of Arab civilization’s accomplishments and historical events.

By contrast with ‘Bab al-Hara’, ‘Ma Malakat’ explores contemporary social concerns: –religious fanaticism, homosexuality, abuse of women. Written by Syrian author Halla Diyab (),‘Ma-Malakat’was directed by her accomplished compatriot Najdat Ansour (en.wikipedia.org/wiki/Najdat_Anzour).

The work of these and other brilliant Syrian artists is renowned.

Yes, armed conflict itself thwarts artistic production. Hundreds of Syria’s most talented and liberal-thinking people– actors, designers, musicians, writers, technicians– are jobless today. Many flee in search of outside employment, like those featured in a token CNN Ramadan story

By contrast view your yourself the Syrian Ramadan 2013 series broadcast over lbc TV. Theater is one of many institutions devastated by war. But the destruction of this industry is not collateral damage. It’s deliberate. The sale of Syrian series came to a standstill when networks in Saudi Arabia and UAE (where major distributors are located) cancelled orders for Syrian productions.

Next, in June 2012 the Arab League itself ordered satellite transmitters Hotbird, Nilesat and Arabsat to cease carrying Syrian media including Syrian TV and Syrian Drama TV. Whereas Syria exported 25 new TV series in 2010, the following year producers were able to sell only one—a direct effect of the US-designed embargo.

Of course this blockade has significant economic consequences for Syria. But its real target is Syria’s cultural and ideological position in the region.

Aleppo, Syria – View of the Town Hall

The Arab public and specialists recognize that Syrian productions are unrivaled in their authenticity and ideology. Syria is known to have the highest standards in historical research (applied to the arts) and in Arabic language. Besides the technical, literary and entertainment value of specific stories, Syria’s dramatic productions represent a struggling political consciousness–the Arab nationalist ideal. (This includes celebration of Palestinian resistance.)

Syrian dramas invoke regional pride and values largely absent in productions from neighboring countries. The industry’s collapse was targeted because these productions embody and espouse values which the West seeks to eliminate.

Nothing is overlooked, it seems, in the US design against Syria. Meanwhile Turkish TV serials, translated into Arabic, heir focus limited to romance and family conflict, keep people distracted. A coincidence?

Author: Barbara Nimri Aziz
Source: globalresearch.ca

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  2. Very novel and informative artcle. We have republished it at http://candobetter.net/?q=node/3387 with the following addendum. (Regrettably. embedded links cannot not be included here):

    EDITORIAL COMMENT: AUSTRALIA’S SHAMEFUL COMPLICITY IN THE WAR AGAINST SYRIA

    Barbara Azizi has provided further confirmation that the justifications given by the likes of US Secretary of state John Kerry, for the arming of the supposed ‘rebels’, the, threats of “no fly zones” and outright military invasion are barefaced lies. How could it be possible for a country ruled by a corrupt and brutally repressive despot to have made such an outstanding contribution to culture?

    The role of Australia and its Minister for Foreign Affairs, Senator Bob Carr, has been particularly shameful.

    As a result of the illegal wars against Iraq in 1991 and 2003 in which Australia participated (and which Bob Carr, incidentally, claimed to oppose),1,300,000 Iraqis fled to Syria
    according to wikipedia. This is in addition to the many hundreds of thousands of Iraqis — 3,300,000 according to one estimate — who were killed in the fighting or died through disease or starvation as a result of sanctions imposed by the US, Australia and their allies.

    Then, in May 2012, on the pretext of the absurd and fraudulent allegations that the Syrian government had massacred 108 of its own supporters in the town of Houla, Bob Carr expelled the Syrian ambassador and tightened existing sanction against Syria.

    Prior to that, in May 2012, the current ‘Labor’ Prime Minister Kevin Rudd, as a roving Australian ambassador in the Middle East, helped initiate the invasion of Libya by urging the establishment of the United Nations “no fly zone”. In 2001, Australia participated in the invasion of Afghanistan on the pretext of the lie of 9/11. One result is that opium production, which had almost been eliminated by the Taliban government has since skyrocketed.

  3. (Please approve this in preference to the comment above. Errors have been fixed and more content added.)

    Very novel and informative artcle. We have republished it at http://candobetter.net/?q=node/3387 with the following addendum. (Regrettably. embedded links cannot not be included here):

    EDITORIAL COMMENT: AUSTRALIA’S SHAMEFUL COMPLICITY IN THE WAR AGAINST SYRIA

    Barbara Aziz has provided further confirmation that the justifications given by the likes of US Secretary of state John Kerry, for the arming of the supposed ‘rebels’, the threats of “no fly zones” and outright military invasion, are barefaced lies. How could it be possible for a country ruled by a corrupt and brutally repressive despot to have made such an outstanding contribution to culture?

    The role of Australia and its Minister for Foreign Affairs, Senator Bob Carr, has been particularly shameful.

    As a result of the illegal wars against Iraq in 1991 and 2003 in which Australia participated (and which Bob Carr, incidentally, claimed to oppose),1,300,000 Iraqis fled to Syria
    according to wikipedia. This is in addition to the many hundreds of thousands of Iraqis — 3,300,000 according to one estimate — who were killed in the fighting or died through disease or starvation as a result of sanctions imposed by the US, Australia and their allies.

    Syria should rightly have expected, at the very least, massive financial aid from Australia for having helped to create such a huge problem for the Syrian government. Instead, in May 2012, on the pretext of the absurd and fraudulent allegation that the Syrian government had massacred 108 of its own supporters in the town of Houla, Bob Carr expelled the Syrian ambassador and tightened existing sanction against Syria.

    Prior to that, in May 2012, the current ‘Labor’ Prime Minister Kevin Rudd, as a roving Australian ambassador in the Middle East, helped initiate the invasion of Libya by urging the establishment of the United Nations “no fly zone”.

    In 2001, Australia participated in the invasion of Afghanistan on the pretext of the lie of 9/11. One result is that opium production, which had almost been eliminated by the Taliban government has since skyrocketed.

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